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More Traditional News

Sculpture - Defining the Forms

=flesh-was-sweet:iconflesh-was-sweet: reports, 15h 21m ago
Some of my favourite work from the Sculpture section.

Learn your Traditional ABCs!

^oilsoaked:iconoilsoaked: reports, 8h 12m ago
An A-Z guide on Traditional Art.

The Glory of Books IV

*TerrorCookie:iconTerrorCookie: reports, 1d 7h ago
This is the fourth part in the Glory of Books series. I've included deviation features in the traditional art gallery relating to books, authors and paintings inspired by the written word. Literary quotes included.

Deviant Painters News (I)

~deviantpainters:icondeviantpainters: reports, May 3
traditional and digital paintings/drawings feature!

Collage This Week

=flesh-was-sweet:iconflesh-was-sweet: reports, May 2
A selection of Collage work

Exceptional Surrealist Feature #4

*the-surreal-arts:iconthe-surreal-arts: reports, May 1
The Works of Exceptional Surrealists under the surreal arts group...

Traditional Art: Awesome Oddities

*TerrorCookie:iconTerrorCookie: reports, April 30
Featuring strange and bizarre paintings in the traditional art gallery!

The Art of Anatomy

=Darkdesyre:iconDarkdesyre: reports, April 28
A study of anatomy.

Traditional News This Week

Learn your Traditional ABCs!

^oilsoaked:iconoilsoaked: reports, 8h 12m ago
An A-Z guide on Traditional Art.

The Glory of Books IV

*TerrorCookie:iconTerrorCookie: reports, 1d 7h ago
This is the fourth part in the Glory of Books series. I've included deviation features in the traditional art gallery relating to books, authors and paintings inspired by the written word. Literary quotes included.

Sculpture - Defining the Forms

=flesh-was-sweet:iconflesh-was-sweet: reports, 15h 21m ago
Some of my favourite work from the Sculpture section.

Nature in drawings

=Ilharess:iconIlharess: reports, May 9
Few traditional technique drawings featuring Nature themes.

Traditional Art Week Feature: Pastels

=stephi-g:iconstephi-g: reports, 6h 4m ago
Pastel Work feature for Traditional Art Week.

The Synergy of Art and Science

*visionaryartists:iconvisionaryartists: reports, 1d 10h ago
Our visionary conversation unfolds with Greg Bart’s invitation to seek inspiration and direction in the integration of the known and the numinous, of science and art. I am particularly appreciative of Bart’s call for artists to find vision in scientific descriptions of nature. Indeed, there is an extraordinary awakening contained in the realization that the universe “out there” is more incredible, more beautiful, more intricate and sublime, than anything we might simply conjure in our own heads. The humility contained in this thought is an explosive engine of discovery. Rather than stewing in the surrealistic stream of a consciousness bound by the cage of one’s own experience, the visionary travels beyond the beyond, seeking to integrate mysterious states of grace with revealed patterns in nature.

In Bart’s eloquent words, “Science is not necessarily God, but its lessons are divine. Artists can direct their efforts to creating an art, a mythology, that is informed by cosmology and yet is captivating to people of all different worldviews and capacities for understanding.”

Made in Romania - Part II - Traditional

~DinnerSpoiler:iconDinnerSpoiler: reports, 2d 20h ago
Beautiful traditional art made by romanians!
~ Check out their galleries. ~

Traditional Art Week - Ikebana

~SynteticDiamond:iconSynteticDiamond: reports, 6h 21m ago
A few words about traditional Japanese art of flower arrangement.

FASHION Contest

~Divayol:iconDivayol: reports, 1d 19h ago
:)

Traditional


An Interview with Amy Hooton

*4bstr4ct4rt:icon4bstr4ct4rt: reports, March 3
:iconamyhooton: Amy Hooton's beautiful, colorful art has captivated many. In this interview Amy discusses how she achieves her vibrant abstract works, her creative process, and who inspires her work.

1. You have one of the more colorful galleries here on dA and have earned the title Queen of Colour. The colours in your watercolors are so bright and vivid. How do you achieve such intensity?

The vibrancy is really to do with the materials I use. I fell in love with using acrylic inks because the intensity and range of depth tends to be far more than watercolours. Everything from solid colour to a wash, they behave slightly differently to watercolours but the result can be equally as beautiful. I occasionally use tubes of watercolours too and acrylic paints.

2. What is your creative process when you create abstract works? Do you have something in mind when you start a piece?

It depends on my mood. Sometimes I know exactly what I want to achieve, an image in my mind. But sometimes I haven’t got any ideas at all, artist's block makes me feel miserable so I sit down and prepare my materials with the intention of forcing myself through it. So this is often this process that leads to some of my more abstract weird surreal works. The satisfaction from the break through comes once the work is dry, its so wonderful to discover I actually can see something interesting in the mess, doesn’t always happen of course but if something interesting can come out of this kind of frustration I find the process fascinating. Once the work is dry I often work into my paintings with gold pens to highlight or bring out some of the more subtle details.

3. Do you ever work in other mediums besides watercolor (and photography)?

I’ve worked in many materials over the years. I studied sculpture at college so I worked with anything I could get my hands on. My favourite material then was old plastic sheeting and rope, which I used to cut, knit, knot or sew into weird and wonderful shapes. These days I don’t have so much space so painting suits my imaginative creative urge. Apart from watercolours, acrylic, acrylic inks, gold pens (my usual friends). I also draw with pencils now and again, charcoal, pens, oil pastels, ink etc. I’ve even been known to paint with mud, seemed so appropriate for a Scottish landscape!

4. You seem to be primarily an abstract painter, but you also do photography. Have you ever thought of trying to capture more abstract images in that medium?

Its something I like to do in conjuncture with my painting but I don’t tend to upload all my photos to dA, just a few of the best, as my painting is really what I want people to focus on. Last year I did some collaborative abstract photography with my fiancé and I continue to be very interested in capturing abstract photos.

5. What are your favourite abstract works? Choose one of your own, and one from another artist.

Its very hard to pick just one of my own paintings, they are all my babies, some of them I love more than others of course so for the sake of this interesting comparison I shall pick “Chivalry behind the Face”. If ever I think my work is off the wall and doesn’t fit in anywhere I just look at the work of Wassily Kandinsky and it reassures me that I’m not the only crazy one! My favourite Kandinsky painting is Improvisation 9 from 1910. Infact I love all of Kandisnsky’s work but I particularly like this one, the colours and abstract composition is just amazing. Shame he couldn’t have given it a better name, but perhaps that would have distracted from his intention.


"Improvisation 9" by Kandinsky

"Chivalry behind the Face" by *amyhooton

6. Which female artists, whether on dA or otherwise, do you draw inspiration from?

I’ve always been a fan of British artist Cornelia Parker’s sculptural installations. They are incredible to behold. I’ve always been fascinated by processes of making and she uses very interesting methods for arriving at unique creative destinations.

More on Cornelia Parker: [link]

7. What do you want people to know about you and your work that they may not already?

In recent years a lot of people have asked me about the techniques I use to create my work. I am not normally a secretive person, but for some reason, I have never parted with my particular methods. I have dropped clues every now and then… therefore an astute fan may one day put them all together. My art is not always for the public's eye, it is also for me and is sometimes kept behind closed doors, so maybe for this reason, I keep it to myself. Not really a lot to know, but what does one say?

I’m also in the middle of building my new website, amyhooton.com [link], so keep your eyes peeled!

Excellent. I'll be sure to bookmark your site! Thank you, Amy!

Here are some works from Amy's gallery:




Interviewed by =peggymintun

This interview is one of many that recognizes and celebrates the awesome women artists on deviantArt during International Women's Week. You can read more about IWW here: *int-womens-week

Devious Comments

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`wroth:iconwroth: Mar 3, 2008, 12:40:32 PM
:thumbsup:

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"All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, and beauty is not a need but an ecstasy..."

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My prints, my stock @ =resurgere
=amyhooton:iconamyhooton: Mar 3, 2008, 2:37:30 PM
Yay! Thank you Peggy. :hug:

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Buy my prints --> [link]

:sun::sun::sun:

Join the New Abstract Art club --> *4bstr4ct4rt
`sbaraci:iconsbaraci: Mar 3, 2008, 2:45:11 PM
awesome interview, wonderful insight i enjoyed reading it :heart: happy international womens day :love:

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:heart:Traditional Purist and Proud of It
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*4bstr4ct4rt:icon4bstr4ct4rt: Mar 3, 2008, 8:51:12 PM
You are a great interviewee, Amy. :) Thanks so much for participating.
~el-dub:iconel-dub: Mar 4, 2008, 5:23:26 AM
excellent interview! but now i want to see one of those mud paintings.
=amyhooton:iconamyhooton: Mar 4, 2008, 7:14:51 AM
:giggle: I'll try to remember to take a photo next time I'm over where the Mud painting lives! :D

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Buy my prints --> [link]

:sun::sun::sun:

Join the New Abstract Art club --> *4bstr4ct4rt
*spiralram:iconspiralram: Mar 4, 2008, 11:23:04 AM
Love It! Natural talent and the desire to produce and share Visual Treats!

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Increase Creative Energy
=amyhooton:iconamyhooton: Mar 8, 2008, 7:37:08 AM Mood: Joy
:love: Thank you for reading!

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Buy my prints --> [link]

:sun::sun::sun:

Join the New Abstract Art club --> *4bstr4ct4rt