Bill Sullivan developed a situation so that various subjects could be defined by the constraints of exactly the same mechanical apparatus. The scenario consisted of someone passing through a subway turnstile. At the moment that the subjects passed through the turnstile, unknown to them, he took their picture stationed at a distance of eleven feet. Bill stood there turning pages of a magazine observing subjects out of the corner of my eye, waiting for only the moment when they pushed the turnstile bar to release the shutter.
His images are fascinating and are inspiring. They encourage us to try something different and when we do it shows what can be achieved.





















































































































































Devious Comments
diptychs are my favorite, thank you for the feature.
this is a wonderful collection!
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We all have eyes, but few can see.
this is an amazing collection
feels great to be included among such wonderful works of art
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i've ran out of complicated theories.
join noir - art forum
wow
thanks!
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Here in this life
We seem so lost.
On this side of brightness
We don't know where to go.
"doppi supporti"?
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Dammi un'accensione automatica un'apocalisse minima un scossa qui dammi un'iniezione elettronica un'apocalisse un'anima una scossa qui e aiutami aiutami aiutami.
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