Why Sigma?When ' professional photographers ' ask me what lens I will be shooting with, my response is usually met with a snicker before the word sigma has even left my mouth.
For those of us not blessed with a brain small enough to believe everything the gearbators (Ken Rockwell) tell us about corner sharpness, and all that other crap that really doesn't matter any when you are making a photo, the question 'why sigma?' is answered by the simplest of terms.
It's cheap.
It works. Well.
It's built like a tank.
While I personally love Nikon and Nikkor lenses, I'm not in the camp that experience is necessarily the best thing. (cleverly camouflaged McCain reference) Yes, nikon have some of the finest optics on the commercial market, but where does this lead us?
Nikkor's current line of competition for this lens are as follows:
Nikkor 17-55/2.8 - $1179 (BH)
Nikkor 24-70/2.8 - $1699 (ritz)
(FF lens)
Both are a far cry from a new Sigma 18-50/2.8, which can be picked up at
BH Photo for about $449.
or at
ebay.com Starting at $399
I base my thoughts on the lenses, having worked at a camera store, and being privy to playing with all of the above lenses. Playing with, (which Rockwell might call vigorous professional testing), is the best way to test lenses out, and most good camera stores will let you attach lenses to your personal camera so you can get the feel for them.
You don't need to read about a lens to make the right choice. Get a feel for it and forget what the reviews said, just use those to narrow the list down.
I could tell you how well this lens works, but since I'm not going to waste your time talking about corner sharpness, I'll just get on with some samples.
Fast Focusing:
High Energy rapper Pharrell flying above the stage @ Pemberton Festival 08
Nikon D300 - 1/250 F/5.0 @ 50mm ISO 400
Accurate:
Modified shot from hip man rolling join in the park
Nikon D300 - 1/320 F/4.0 @ 18mm ISO 400

Quick frame made while walking by homeless man in front of empty lot.
Nikon D300 - 1/800 F/8.0 @ 25mm ISO 400
Sharp:
Scientology Protest Vancouver BC
Nikon D300 - 1/320 F/7.1 @ 25mm ISO 100
Fantastic response in low light:
Conceptual Street Photography - Vancouver BC
Nikon D300 - 1/80 F/2.8 @ 50mm ISO 1600
Wide:
VanCity metal band Abriosis in a small alley, from about 5 ft
Nikon D300 - 1/100 F/4 @ 25mm ISO 640
Efficient Studio Lens:
Pur Pale - Vancouver Electronic Band
Nikon D300 - 1/160 F/8.0 @ 40mm ISO 100

Flood of Fire - Vancouver Metal band
Nikon D300 - 1/160 F/8.0 @ 25mm ISO 100
Most of my street photography is done with this lens, because it is so very versatile, and often finds itself being used for everything else as well.
Its sharpest if you can get it to F8, but performs well through the whole aperture ring.
The last photo featured was taken less than one hour after an accident that sent my camera flying off a 4-5ft ledge onto cement. The sigma lens was attached, and landed glass first on the ground with nothing to slow it down, but came away with almost no damage.
I have since fixed the stiffness that came after, thanks to help from *
mindbodygraphics and the lens is still performing as well as it ever did*
*Note: most other images featured were shot after the accidentTo say the lens is built like a tank is an appropriate way to put it, but then again, at first feel, you just know this hefty lens isn't going to let you down

If after all that, there are still people who want to use the tissue next to their computers, I include the following...

15 elements in 13 groups.oh baby

Problems:There are not many problems in this lens, but at one third, and almost one fifth the prices of the other two lenses I listed, its bound to have some drawbacks.
Chromatic Abhorations:Only in certain light (over exposed skies)
Flares:for example - LED lights (cop cars), When shooting without hood
Devious Comments
--
areml.com
my dA SHOP
my photo BOOKS
I should write some of these.
There should be a new category on deviantART of equipment reviews.
I was thinking about getting this lens when you first told me about it over skype a while back...but i don't have like any money right now. Hopefully a job and some selling of some prints will help that. Maybe selling my 18-55mm 3.5-5.6 will start the flow of things.
I can't find out if it has a canon mount too (B&H has a weird page redirection problem) but I think I remember reading about it having an EF mount.
And I was totally listening to NERD when I opened this.
--
When deciding whether to buy a Nikon or a Canon there really is only one difference: a clockwise or counter-clockwise zoom. Choose wisely.
*The-Yard-Collective
tomwalshphoto.wordpress.com
but why don't You show a pic with F 2.8?
I didnt want to put more of my own work in there than i had to
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Horribly intrusive watermarks are tacky. If you're concerned about people stealing your photos, don't post them on the internet.
Photography is the simultaneous recognition, in a fraction of a second, of the significance of an event. (HCB)
It does have an EF mount
hahaha.. good timing
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Horribly intrusive watermarks are tacky. If you're concerned about people stealing your photos, don't post them on the internet.
Photography is the simultaneous recognition, in a fraction of a second, of the significance of an event. (HCB)
--
Horribly intrusive watermarks are tacky. If you're concerned about people stealing your photos, don't post them on the internet.
Photography is the simultaneous recognition, in a fraction of a second, of the significance of an event. (HCB)
check out my blog on UBER thats up right now, and see how i was shooting at 18
dont get a 10mm unless its f2.8.. not worth it
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Horribly intrusive watermarks are tacky. If you're concerned about people stealing your photos, don't post them on the internet.
Photography is the simultaneous recognition, in a fraction of a second, of the significance of an event. (HCB)
Yeah, I'm slowly being converted to the latest Sigma stuff as well.
Got a 12-24/4.5-5.6 DG HSM last year that is absolutely incredible, both in DX and FX/film! For the price, it beats the proverbial out of anything else. Not very solid: I've had a few problems with the control rings freezing, but usually fixed by fast rotating the lens in my hands to get the cams back in shape.
Just recently got a 24-70/2.8 EX DG that is built like a tank and purrrfect for FX/film: not only does it work incredibly well with the F6, it also has MF and an aperture ring I can use all the way back to my F2AS! 1/3 the price of the equivalent Nikkor, which does NOT work with my older cameras: talk about Nikon "compatibility"...
I think I'm gonna start looking at their 150 and 180 macro lenses, very seriously!
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Cheers from Nuno
[link]
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