If your art is not getting much attention, or people's attention are drawn to details that shouldn't be the first things to notice, you might
reconsider your thoughts about colours.
Let's draw our attention out of the art world, and focus on the real world and the human nature.
The human eye is one of the most developed kinds of vision in the animal kingdom. It is estimated to have the equivalent to about
16 megapixels worth of resolution. It also has a very interesting way of sensing movement, only capturing colour around the center of the image, and capturing black and white shapes for the peripheral vision.
The colour "sensor" inside the human eyes is called
the fovea. The fovea provides the brain with natural, discrete RGB signals, and as such, Humans are able to see in colour the world that surrounds them.
Inside the Fovea, there are small discrepancies which are called
the cones. Each kind of cone captures a specific tone of colour, namely red, green or blue. There are some facts about the distribution of these cones that can be worth noticing:
The fovea has an awareness of 64% to redThis means that, in a picture, the red, and hot tones are the ones that stand up more to the eye. In nature, red typically presents danger, and as such, the brain is programmed to act accordingly.
The fovea has an awareness of 4% to blueThis means that blue objects are not processed by our brain with as much resolution, and therefore, they don't stand out as much as the other colours.
The fovea has no blue cones on it's centerEver felt like you can't focus a small blue led light in the distance? The human fovea has no blue cones on it's center, and therefore, small blue objects are very hard to focus, and can go by completely unnoticed.
What is to be learnt from here:
If you want something to be noticed, you should probably make it red.
If you have red elements on your art, it is most probable that they will be seen first.
If you want something to go unnoticed, the solution is simple. Make it blue and small. (for example, a small blue note in a black and white regular text.)Final Thoughts:
I hope this small lecture in colour can help the artists of dA to further improve their art, their culture, and themselves. Each one of us should give to the community a little of what the community has given to us so far
Devious Comments
Useful lesson, Master. Ni!
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...and if it moves... kill it.
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Do remember that warm colors Advance, and cool colors Recede- so in essence, if you really want to draw someone's attention to an area, you will want to use warm colors.......but lets not forget one more aspect of the element of emphasis!
INTENSITY or the brightness of a hue also determines where your eyes are likely to go to. If you have an entirely cool colored composition, the hue that is the most intense (less amount of gray and more saturation) will draw your eye. Same goes for a warm composition.
A lot of artwork that may come across as "unappealing" seems to display trouble with the artists familiarity with intensity. (aka uses the brightest, most radioactively toxic looking bold colors in a clashing scheme)
Really the lesson we all need to learn is how to create harmony with color, not just use the brightest boldest colors for emphasis.
Great stuff on the eye here!
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Marilyn Cole
Anthro Gallery Moderator
katmomma@volunteers.deviantart.com
5 Days A Week: the Everyday Adventures of the School Age
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...and if it moves... kill it.
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