When you're an artist, it's good to be ambitious. In fact, if you want to do well as an artist, you HAVE to be ambitious. Ambitions create drive, it also creates goals.
My drive is my love for using my gifts, I love to create things. My goal is to be published, to share my stories with the world, and to spread the Word along with them. This is the direction God has called me
There are many manga-ka (comic artists) across the web, and many here on DeviantArt. A good percentage of them, including myself, have sought to publish their work. However, this process is long, hard, and full of disappointment. Many times we feel as if the publisher we submitted to took one glance and said no thankyou without and real reason.
Just yesterday, sephodryrm, finally received a reply from the publishing company Arcana, They gave me an email that look more like an automated response, he said.
Quote.
We have to pass.
End quote.
This fails to encourage us to continue, and much less grow as an artist. A simple, you need to work on your perspective or your story is too choppy is just too much for them to consider doing. On Sephodryrms case, however, it confuses many of his fans why he wouldnt get published. His work is already high enough quality. He, however, steams forward with more ambition than ever, and has already submitted to more publishers, and has even made his work readable online as a webcomic to gain fans and support.
Finding a publisher is only half the trouble. Too often have I heard, as Sephodryrm put it so forwardly, of evil publishers that enslaved and outright robbed artists of their work, ideas and dignity. Respectable, published artists here on DeviantArt have reported that this has been done to them one way or another.
Erica Reis, known as Solipherous here on DA, is the artist of Sea Princess Azuri. Reis was only beginning to explore the huge under water world in Azuri before her publisher, TokyoPop, cancelled their 3 volume contract due to poor sales and forced her to squeeze the remaining story into half a volume. She wished to continue the story as a webcomic, but was again denied because they own half of the copyrights to her characters. Even reading the fine print cant always prevent copyright pitfalls if even the publisher doesnt keep the contract.
But is being ambitious really enough? Sometimes, I believe it isnt. Conditions for a publisher accepting anyones work seems to rely more on luck and timing rather than actual sweat and skill. Such an opportunity is available this summer. Over 30 different comic publishers, including ViZ comics and Dark Horse, will be condensed at one giant event called San Diego ComiCon. (Just google it if you're interested) Many are only doing reviews, but others are open to both reviewing and possibly signing a deal with potential comic artists. Ill be going, along with my sister, to see if we strike it lucky.
Goodluck to anyone who'll be joining us, and goodluck to anyone who's still on the search.
Devious Comments
Comics usually have teams of people doing each page. OEL Manga is usually made by one person. It sounds like you're looking for the former; artists who do one specific job (ie: inkers).
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"I know what I am. I know what makes me, but you are my sweetest mystery." -Hayven
That con sounds interesting...I'll check it out, maybe its something I can look toward in the future. : )
Besides getting out there do publish original comics, I realize that teamwork is the ONLY way to get to that point. Right now I've already finished the illustrations of 2 children's books and I hope to be a colorist for DC, MARVEL, or other big companies. I still have a long way to go though, kid's books are only the stepping stones.
What would be nice is if there was a company that did nothing but review aspiring comicbook artists and manga-ka's alike. Critique it basically, and if they like it give them the thumbs up. So when real publishing companies look at the noob's stuff it would already be in high favor. And if they didn't like it, they would give tips and stuff on how to improve.
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"As soon as we left the ground I knew I myself had to fly!" -Amelia Earheart.
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"As soon as we left the ground I knew I myself had to fly!" -Amelia Earheart.
I still have never been there
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You got red on you
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"As soon as we left the ground I knew I myself had to fly!" -Amelia Earheart.
Most publishers, whether they be independent or not, simply don't have time to critique every submission they get via e-mail. Would it be nice if they did, fuck yes, but is it really reasonable? Not really. I agree that it would probably be a better setting if you approached them in person at SDCC.
"This fails to encourage us to continue, and much less grow as an artist."
I am sorry, but if you need publishing companies to pat your ass and give you sparkling critiques in order to continue improving as an artist there is something disturbingly wrong here. No one is stopping you from being encouraged but yourself. I told this to Sephodyrm and I'll say it again to you: It seems like you might need to rethink just how much you want to be a comic artist.
Do you really love this?
What happened to Reis sucks, I don't know the bulk of her story but if it WAS embedded into the contract and she failed to see it upon signing then it was her own fault. You live and you learn and you make mistakes. I bet she will be ten times more careful in the contracts that she encounters in the future.
Please don't misunderstand this as harsh, Roxy. I still support you, but I find this ambition vs. luck thing kind of ridiculous. Have fun at SDCC, hopefully the lines aren't too bad and you can get tons of reviews.
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;A;
But yes, publishing is a very annoying business that often depends on sales, if the publishers don't think it will sell they won't sell it.
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When one takes a picture, they capture their true soul with that moment.
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