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Traditional


Art History Spotlight: Baroque

^oilsoaked:iconoilsoaked: reports, July 14


Greetings and salutations, deviants! Once again, by your choice, I bring you the fifth edition of the now quarterly series Art History Spotlight!

The Art History Spotlight Series will be exploring various artistic movements, the techniques used therein, major artists behind it and it's influence on dA!

The fifth edition focuses on Baroque. You can find the previous editions here:

:bulletpurple: Art Nouveau
:bulletpurple: Abstract
:bulletpurple: Surrealism
:bulletpurple: Impressionism

So, without further ado, I bring to you:

Baroque



[ba-rohk, ba-rahk]
as defined by merriam-webster

1 : of, relating to, or having the characteristics of a style of artistic expression prevalent especially in the 17th century that is marked generally by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements often conveying a sense of drama, movement, and tension

2 : characterized by grotesqueness, extravagance, complexity, or flamboyance

3 : irregularly shaped —used of gems


Origins



With the waning of the Mannerism movement, Baroque had it's strongest influence within the 17th century. The style was adopted and backed by the Catholic Counter-Reformation in the early 1600s, and subsequently spread through many of the Catholic countries in Europe. [1] This style, however, was not solely religious; the French Monarchy, under the rule of Louis XIV, also enlisted Baroque Art for French propaganda endorsing the king.[2]


Cristo Crucificado Diego Velasquez

The center of the movement began in Rome with Caravaggio and rival Anibale Carracci, as the movement and intense emotion of Mannerism combined with the High Renaissance's grandeur and solidity to create a new style: Baroque.[3]


Self Portrait, Annibale Carracci and Caravaggio, Ottavio Leoni

Within this era, came High Baroque, led by Gianlorenzo Bernini, as he introduced the union of sculpture, paint and architecture. Within this time, the style really spread, leading to the intense extravagance of church architecture and decor. During the 18th century, Baroque seamlessly transitioned into the more decorative and lighter movement of Rococo.[2]

Prevalent artists within the Baroque era include Anibale Carracci, Michelangelo de Merisi Caravaggio, Gianlorenzo Bernini, Diego Velazquez, Peter Paul Rubens, Johannes(Jan) Vermeer, Rembrandt van Rijn, and Guido Reni. There's a very long list.

Technique




As we look over the intensely dynamic pieces of the Baroque movement, these are the techniques found[4].

  • Heavy use of chiaroscuro to create striking depth and volume. (very loosely put, harsh light play)
  • attention to exact, naturalistic detail
  • with the exception of the Dutch landscapes, a story is told, or a scene unfolds
  • movement captured by circular or diagonal composition
  • key words: dramatic, bold, movement, emotion, extravagance



Baroque from the Masters




The Girl With the Pearl Earring, Johannes Vermeer

The Taking of Christ, Caravaggio

Triumph of Bacchus and Ariadne, Annibale Carracci

Faust in his Study, Watching a Magic Disc, Rembrandt

The Ecstasy of St. Theresa, Gianlorenzo Bernini

Rape of the Daughters of Leucippus, Rubens

Baroque on dA



The curious and rich stories of ~GeirrodVanDyke




The delectably detailed sculptures of *MarkNewman




The intensely contrasted works of ~DCassano




More Baroque on dA



Disclaimer: Art History Spotlight is a simple overview and summary of the particular movement featured. It is in no way meant to be a replacement for reading a book on the subject, but instead a taste to get you interested! I apologize if I don't highlight your favorite artist, or don't fully explain any one aspect. Please contribute any pertinent information in the comments!

Sources
1 [link]
2 [link]
3 [link]
4 [link]
Pictures from ArtArchive.com

Devious Comments

love 0 0 joy 1 1 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0
:iconblueflamedphoenix:
I love the pictures/sculptors you chose :)

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"Commandment Number One of any truly civilized society is this: Let people be different." –David Grayson
:iconserrifth:
Bernini FTW!!! I can't believe i said that but its true!!!

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:iconlawrencededark:
Very interesting article :nod: and your banner image rocks :)

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:iconsphilr:
Go for baroque; terrifically well assayed...

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:eager:
:iconinpuupuaut:
Wonderful ^_^

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Ya se van a morir... ^_^

:film: Santiago Fernández
Film and Animation Gallery Moderator.


"Goran no sponsor no teikyou de okurishimasu."
:iconluthien-9:
Thanks a lot for that article.Specially the examples from deviantart was great.
:iconzananeichan:
*attention to exact, naturalistic detail

Often people forget the details in modern art of detailed even.

They do this to bring out foreground and fade out background.
But in old classical works the backgrounds as well as the foregrounds in general had been of detail, where the viewer sits and watches and gets carried away into the world and mind of the artist.
:heart:
:love:

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:iconsnowmask:
I still think it's hilarious that Michelangelo's "Mannerism" was frowned upon. Then again that's what happens when someone introduces that which is amazing and out of this world.

Great article hun!

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My Portfolio
Katie Franke
Traditional Art Gallery Moderator
:iconsnowmask:
By the way it must have been hard looking for thumbs :heart:

This kind of style almost doesn't exist anymore, and is hardly ever "recreated". Because it's not a style. It's a way of life, an attitude.

Ah well.

:hug:

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My Portfolio
Katie Franke
Traditional Art Gallery Moderator
 

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